Active Filters:
Participation: 50%-79%
Play Time: 1:30 - 2:10
Unique Accidentals: 3-4
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Baroque
Toccata and Fugue in D Minor
manflute2014
1:52 Est. Play
Time
57 Measures
1,047Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 17 0 4 9 56%
Treble 24 0 6 9 83%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 17 0 4 9 56%
Treble 24 0 6 9 83%
Alto
Flute		 Treble 14 0 2 8 69%
Piccolo Treble 13 0 2 9 68%
 
Prelude in C, BWV 846 for Guitar Duo
PreludeAndFugue
1:56 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 0 6 5 52%
Treble 22 1 4 5 52%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 0 6 5 52%
Treble 22 1 4 5 52%
 
Prelude in C minor by J.S. Bach (BWV 549) for brass quintet
Nednedflanders
2:04 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tuba Bass 20 0 5 7 100%
B♭
Trumpet		 Treble 15 0 7 8 72%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tuba Bass 20 0 5 7 100%
B♭
Trumpet		 Treble 15 0 7 8 72%
Treble 14 0 5 7 72%
Trombone Bass 15 0 5 6 62%
Horn
in
F		 Treble 14 0 4 8 52%
 
Prelude in C, BWV846 for Guitar Quartet
PreludeAndFugue
1:56 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 0 3 4 100%
Treble 14 0 2 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 0 3 4 100%
Treble 14 0 2 3 100%
Treble 13 0 3 6 97%
Treble 18 0 4 5 51%
 
Gigue
pental
1:55 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 3 6 7 91%
Bass 22 0 4 5 80%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 3 6 7 91%
Bass 22 0 4 5 80%
 
HWV1A1 - Leset ihr funkelnden Augen
edward.maurath
1:51 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 23 4 4 86%
Bass 22 28 4 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 23 4 4 86%
Bass 22 28 4 2 100%
Bassoon Continuo Bass 19 0 4 2 62%
Bass 14 1 2 2 57%
Bass
as Consalvo		 Bass 13 1 4 4 60%
Violin
1		 Treble 12 0 0 4 57%
Violin
2		 Treble 12 0 2 2 57%
Violoncello Continuoi Bass 14 1 2 2 57%
 
Elisabeth Jacquet de la Guerre Gigue
pental
1:55 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 3 6 7 91%
Bass 22 0 4 5 80%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 3 6 7 91%
Bass 22 0 4 5 80%
 
HWV1A1 - Leset ihr funkelnden Augen
edward.maurath
1:51 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 23 4 4 86%
Bass 22 28 4 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 23 4 4 86%
Bass 22 28 4 2 100%
Bassoon Continuo Bass 19 0 4 2 62%
Bass 14 1 2 2 57%
Bass
as Consalvo		 Bass 13 0 4 4 60%
Violin
1		 Treble 12 0 0 4 57%
Violin
2		 Treble 12 0 2 2 57%
Violoncello Continuoi Bass 14 1 2 2 57%
 
HWV8A1N4 - "Son di Mirtillo!" recitativo secco
edward.maurath
1:47 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B.c. Bass 12 0 4 4 100%
Amarilli 14 0 4 5 68%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B.c. Bass 12 0 4 4 100%
Amarilli 14 0 4 5 68%
Mirtillo 10 0 3 3 50%
Hpsi Treble 14 17 4 2 46%
Bass 9 5 2 4 46%
Harp Treble 14 12 4 1 43%
Bass 12 10 3 2 43%
Theorbo Bass 12 6 5 2 21%
Lute Treble 13 10 4 3 18%
 
"Vo' far guerra, e vincer voglio" from "Rinaldo," HWV 7, 1711
edward.maurath
1:46 Est. Play
Time
96 Measures
1,603Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Solo

 Treble 24 71 5 8 85%
Bass 25 50 6 8 97%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Solo

 Treble 24 71 5 8 85%
Bass 25 50 6 8 97%
Violoncello (Continuo) Bass 18 0 4 7 53%
Violin Treble 18 0 4 7 45%
Treble 17 0 4 7 45%
Contrabassi (Continuo) Bass 18 0 4 6 44%
Violoncelli (Continuo) Bass 18 0 4 6 44%
Armida

(Soprano)		 14 0 3 8 43%
Viola 14 0 4 4 43%
Oboe Treble 12 0 0 7 30%
Treble 13 0 2 7 30%
Bassoon
(Continuo)		 Bass 14 0 0 6 27%
 
Handel: Almira, "Wer umb Geld und Hoheit willen," (Consalvo)
edward.maurath
1:59 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 17 41 4 4 100%
Bass 19 0 3 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 17 41 4 4 100%
Bass 19 0 3 4 100%
Continuo Bass 19 0 3 4 100%
Consalvo Bass 16 0 4 4 76%
 
Dal mio cenno si venaumiliata (1730) HWV 17 "Giulio Cesare"
edward.maurath
2:03 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 22 18 4 5 100%
Bass 20 0 5 4 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 22 18 4 5 100%
Bass 20 0 5 4 100%
Violoncello Bass 20 0 5 4 100%
Tolomeo 14 0 3 5 76%
Violini Treble 21 0 3 3 74%
Violoncellos Bass 14 0 2 3 71%
Violone Bass 14 0 2 3 71%
 
"Siet'assai superbe, oh stelle," from act 2 of 'Rodrigo,' HWV 5 (1707)
edward.maurath
1:58 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 16 10 3 5 100%
Bass 17 0 3 4 77%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 16 10 3 5 100%
Bass 17 0 3 4 77%
Bass 18 6 4 5 94%
Harp (Continuo) Treble 16 10 3 5 100%
Bass 18 6 4 5 94%
Bass 17 0 3 4 77%
Violoncello (Continuo) Bass 18 0 3 5 94%
Contrabass (Continuo) Bass 17 0 3 4 77%
Contrabasses (Continuo) Bass 17 0 3 4 77%
Strings 16 0 3 4 77%
Violoncellos (Continuo) Bass 18 0 3 4 77%
Rodrigo 15 0 5 7 67%
 
HWV17a2n06y1724-Deh piangete, oh mesti lumi from "Giulio Cesare in Egitto"
edward.maurath
1:56 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 20 36 4 7 100%
Bass 21 31 4 7 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 20 36 4 7 100%
Bass 21 31 4 7 100%
Harpsichord Treble 20 36 4 7 100%
Bass 21 31 4 7 100%
Continuo Bass 19 0 3 7 100%
Cornelia 12 0 3 5 78%